Our sole master is the integrity of the message.
By Maya Khankhoje
Arts & Culture
A fun show by Westmount’s Dramatis Personae.
By Byron Toben
Lesser-known Shakespeare play a first
for Repercussion Theatre. By Barbara Ford
Part Two of Byron’s Fringe reviews and
the Frankie winners unveiled. By Byron Toben
The Montreal Museum of Fine Arts’ abundant summer program has plenty for everyone, big and small
Annual June Broadway tunes concert celebrates
Cole Porter among others. By Byron Toben
Trina Davies’ latest play premieres at the
Montreal Fringe Festival. By Julia Ainsworth
Stephen Maclean Rogers’ touching tribute to his mother.
By Julia Ainsworth
Pointe-à-Callière sets the table for the French gourmet meal
A prose poem from a daydreamer on sunshine, love, and thoughts of elsewhere. By Tamara Nazywalskyj
Five enjoyable Fringe shows that deliver the goods. By Byron Toben
Thought-provoking Jim Carrey exhibition premieres June 20 at the Phi Centre
Complete artistic programming for the 2019
edition of Festival de Lanaudière unveiled
New theatre company tackles Jonathan Larson’s
rock opera with success. By Byron Toben
Photographer James St Laurent explores
this popular and colourful annual event
P B & J revisits the 80s classic film on bullying,
stereotypes and identity. By Patricia Dumais
A look at some promising St-Ambroise Montreal Fringe Festival shows. By Byron Toben
Entertain, provoke, fire up and challenge audiences of all ages with the unique power of professional live theatre!
The MMFA announces results of a promising study
on the perception of works of art by people with autism
An interview with the celebrated humanist photographer George S. Zimbel.
By Carmen J. Michaud. Photography by James St Laurent
Festival Accès Asie presents an afternoon
of dance, music and ethnomusicology
Festival Accès Asie presents a unique collaboration
between four dancer/choreographers, May 24 and 25
CHIP/CAPA presents Montreal’s first ever fully accessible comedy show. By Abby Stonehouse
A worthwhile bilingual version of Marc Prescott’s play. By Byron Toben
