Reviews of three Frankie Award nominated Fringe plays. By Julia Ainsworth
Arts & Culture
An exceptional exhibition at La Guilde inaugurates the 2017 Montreal First Peoples Festival. By Jean-François Brucel
The 5th Edition of the Mixed Arts Festival.
By Luc Archambault
This year’s crop is rich and varied. By Luc Archambault
Irish culture at its best through James Joyce, right here and now, until June 16. By Luc Archambault
Byron reports on some of his Fringe Festival theatre picks. By Byron Toben
Popular Broadway musical shoulda been in Yiddish from the start. By Byron Toben
Theatre, dance, performance art, the Fringe has it all. By Luc Archambault
Some promising Montreal Fringe Festival theatre shows. By Byron Toben
Contemporary Europe explored through a visit of ten cities. By Luc Archambault
An intense theatrical rendition of Thomas Bernhard’s novel. By Luc Archambault
An original artist explores the pictural transcription of motion. Text and photos by Luc Archambault
Latest McClure Gallery exhibition unites five artists under one subject. By Jean-François Brucel
A grand choreography by Eszter Salamon at the FTA. By Luc Archambault
Get Out versus I Am Not Your Negro: a devolution in the imagery of Afro-Americans in modern storytelling. By Luc Archambault
Dramatis Personae presents an ancient yet timely Greek comedy. By Byron Toben
This sixth part of the franchise closes the loop between Prometheus and Alien. By Luc Archambault
Latest Cirque du Soleil show features even more electrifying stunts. By Byron Toben
The eleventh edition of Festival TransAmériques launches with an X-ray play about Montreal. By Luc Archambault
How invigorating to see young music lovers at L’Opéra de Montréal! By Luc Archambault
Internationally renowned Trois-Rivières native masters French chansonnier’s songs. By Byron Toben
The Centaur closes its season with a refreshing new Canadian comedy hit. By Patricia Dumais
Les Idées Heureuses concert explores the secular musical repertoire of the late Middle-Ages. By Luc Archambault
No one is immune to this talented satirist’s incisive pen. By Jean-François Brucel
